End of the chorus line install#
Your agreement to be bound by, and comply with, these terms is in exchange for us agreeing to install and/or make our network available for use at your property. The things you agree to do under these terms only apply to the extent you are lawfully able to do them and we do not require you to do things you have no actual power do to. We may enforce these terms directly against you without any involvement from your phone and broadband provider. You agree that we may install, locate, access and operate our network on your property under these terms. These terms bind you and us, and apply to your property.
for residential connections, your home and section and.The property you own, occupy or have control over where assets installed and owned by us (or our predecessors, including Telecom New Zealand Limited) are (or are to be) located and will include: The point at your property where you will connect to our network, this includes the Optical Network Terminal (ONT) and any other Network Interface Device (NID) or the secure jack or other access point where our network ends on your property. anyone else any of the parties listed above are responsible for.Īll works and activities which are necessary to connect your property to our network.all officers, employees, contractors and agents of all those parties listed above and.all companies directly or indirectly owned, partly owned or controlled by Chorus or those other network operators.other network operators whose networks are connected to our network.TermĪll approvals needed for us to lawfully install, locate, access and operate our network in the manner allowed by these terms More information about how we install fibre is available on our website. The blues withstood countless musical fashions to become the bedrock for rhythm and blues (in the 1940s) and rock and roll (in the 1950s), and the same basic form remains vital today.These terms relate to the installation, use and ownership of the line, and any associated equipment and infrastructure, connecting your property to Chorus’ wider network. Basically, the harmony changes at the beginning of each four-measure group.Īt the end of each chorus (in measures 11-12), musicians often play a turnaround, chords that lead back to the beginning of the next chorus. In its most basic form, the harmony uses only three chords: the I, or tonic, chord, the piece's home base (in C, this is C-E-G, or C7: C-E-G-B♭) IV, the subdominant chord (F-A-C, or F7: F-A-C-E♭) and V, the dominant chord (G-B-D, or G7: G-B-D-F). Each twelve bars, in purely instrumental blues as well as vocal, make up a single chorus.īesides its twelve measures, blues form is marked by the particular harmonic scheme, derived from folk practice. (4 bars)Įach line takes up four measures, so that all three together make a twelve-bar blues.
When I wasn't nothing but a child, (4 bars)Īll you men tried to drive me wild. Blues form comes from African American folk poetry, featuring an asymmetric three-line stanza, as in Bessie Smith's "Reckless Blues":
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